Monday, 20 July 2026

The Redline, by Adrian Hyland

Jesse Redpath is acting sergeant in the small country police station of Satellite when a colleague is killed in a traffic incident. But was it an accident or murder and if the latter then why? What follows is a melange of missing people, corruption, shady security officers, a feral child and murder. This is apparently the third outing for Jesse so one would expect her voice to be clearer. She doesn’t ring true as a character and her licence to operate as a lone wolf with little accountability within the police force seems highly unlikely. A large amount of exposition in the early part of the novel is tedious. The geography of the region is confusing, which is a problem as it is fundamental to the plot – it’s a country town on the urban fringe, described as remote but somehow within easy access of Melbourne. The first person style doesn’t lend itself well to the (many) times Jesse is in danger as it makes the stakes low – she is telling the tale so we know she gets through it.

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