Juniper (2022), directed by Matthew Saville

Sent to boarding school by his grieving father, teenage Sam has been lost since the death of his mother. Suspended following a violent incident on the rugby field, Sam is contemplating suicide. His attention is diverted by the arrival of his estranged alcoholic grandmother, former war photographer Ruth, from England. She has broken her leg and needs care, but her spiky personality makes everyone’s life difficult, especially her nurse Sarah. When his Dad goes to England to sort out Ruth’s affairs, Sam is left to reluctantly help Sarah care for his grandmother. Slowly Sam and Ruth build a bond, which may help them both come to terms with life and death. This strange little New Zealand film has some profound things to say about love, grief, and family relationships. There is a sense that it is an autobiographical piece by the writer/director, as it is a period piece – 80s or 90s, judging by the technology or lack thereof. Charlotte Rampling is fabulous as the independent, take-no-prisoners Ruth. The chemistry with newcomer George Ferrier, as Sam, carries the film. Martin Csokas doesn’t have enough to do in the rather thankless role of son and father. Sometimes slow, occasionally clunky and disconnected, the film is nevertheless moving and the rural NZ setting is beautiful.