Bridget Jones – Mad About the Boy, directed by Michael Morris

Poor old Bridget only got a few years of her happy ever after with Mark Darcy before he was killed in Sudan. Four years on, widowed in her 40s and bringing up two children, she is back almost where she started – drinking wine alone and avoiding the smug marrieds. Returning to work helps to spark her up again and then two men come into her life, son Billy’s uptight science teacher and (very) young gun Rockster. Chaos naturally ensues. Deeper and sadder than the first three Bridget adventures, there is still plenty of silliness and laughter as she navigates dating and sex in the digital age. All the old faces are back, to great comic and dramatic effect, and the new faces – Leo Woodall and Chiwetel Ejiofor as the love interests – fit in perfectly. Renee Zellweger, as ever, embodies everywoman Bridget. The film gets a little shmaltzy towards the end, but nevertheless provides an enjoyable final outing with the Jones girl.

Network Effect, by Martha Wells

The first full Murderbot novel, following the four novellas, sees the rogue SecUnit working under contract to Preservation while it works out its future. It is sent on a survey trip to protect President Mensah’s adolescent daughter Amena. On the return home the expedition group is kidnapped, but to what end? SecUnit’s AI mentor ART is somehow involved, but for good or evil? This terribly complicated plot further develops the interstellar political situation of evil corporations and the resistance to them, as well as the personal development of Murderbot. For non-geeks it is easy to get lost in the science and coding, but there is action aplenty and it is a fascinating world.

Paddington in Peru (2024), directed by Dougal Wilson

Paddington 3 sees the Brown family head to Peru to visit Aunt Lucy in the home for retired bears. Along the way we discover the young bear’s origin story and encounter a colonial curse that puts the whole family in danger. Gentle underlying themes include dealing with an emptying nest, the importance of chosen family and judging risk versus reward. The story is monumentally silly with lots of laughs, especially towards the end, and the central joke is just lovely. Many well-known actors (like Hayley Atwell) bob up in tiny cameos, with major stars (Olivia Colman and Antonio Banderas) again hamming it up as heroic villains and villainous heroes. It’s warm family fun which, like the previous films, operates on multiple levels for wide appeal.

Tell Me Everything, by Elizabeth Strout

Writer Lucy Barton has featured in several of Strout’s previous novels. Here in post-COVID times she has moved from New York to a small town in Maine with her ex-husband William. There she has formed a deep friendship with lawyer Bob Burgess and has also made a connection with curmudgeon Olive Kitteridge. Over the course of a year, the friends share stories of life, love and loneliness against the backdrop of a murder investigation where Bob is defending the main suspect. A celebration of ordinary people and everyday life, Strout’s genius is in the detail of character and place that elevates those things to compelling reading. It is not necessary to have read the previous books to follow the story, but it must help to have the background and understand the quirks of character.